dat face

a man in a dark, wood-paneled room, then transitions to him in a different setting wearing a suit and tie, sitting and looking thoughtfully at someone off-camera, before cutting to static. The man appears in two different environments, first standing in a dimly lit room with wood paneling, then seated in a more modern, dimly lit room with a teal wall, where he maintains a serious expression and rests his chin on his hand. The sequence begins and ends with television static.