“Go away, Satan.”

A man in a green jacket and camouflage pants sits on a wooden floor, holding a bundle of long sticks and a small stuffed animal, his face contorted in a grimace as he leans against a bed with a patterned headboard and a floral bedspread; to his right, a wooden cabinet with a white cross painted on it stands near a window with a patterned curtain. The scene cuts to a man in a white toga with a black belt and a patterned cloth on his head, standing in a doorway and holding his head with one hand while gesturing with the other.