Uh oh

A man in a white robe speaks into a microphone inside a building with ornate walls and a chandelier, then the scene cuts to a crowd outside a classical building where a person holds up a sign with a woman's face, followed by a man holding a baby aloft as photographers film, with text overlays stating that refugees are welcome and that they wish they were dead, have lost their fertility, look for fertility in the midst, and will give them fertility and breed children with them.