Fuck you, Sheron.

A man with a digitally superimposed head of a character with long dark hair and a serious expression stands in a room, holding two knives and making a series of stabbing motions with his right hand. The scene cuts to a close-up of the same man, now with a beard and a smug expression, looking at the camera with text overlays, while a white object resembling a car's interior light fixture hangs above his head.