AAR AAR

A man in a dark, confined space with peeling blue and white painted wooden beams repeatedly moves his hand, which is illuminated by a light source, while the camera shakes. The scene cuts to three cars parked in front of a multi-story building, then focuses on a dark-colored station wagon driving forward. The scene changes to a close-up of a black and grey crow against a white sky, its beak open as if calling.