I’ve got to stop.

A small, tired-looking character lies on the ground as a large hand enters the frame, first opening its palm and then giving a thumbs-up gesture. The scene abruptly cuts to a close-up of a grinning, villainous character with a wide, toothy grin. The scene then cuts to an outdoor setting where a person in a white coat stands before a large explosion, while another person crouches with a camera on a tripod, filming the blast.